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December Film Preview: Avatar and Marty Supreme Play Ping-Pong for the Holiday Crowd
By Matt Schimkowitz November 25, 2025 | 12:21pm
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Quincy Jones was at his peak when he gave The Wiz its soul
By Craig D. Lindsey November 20, 2025 | 11:00am
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It's pretty damn ironic that Paramount is behind The Running Man
By Jacob Oller November 17, 2025 | 11:00am
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How You Can Count on Me Let Mark Ruffalo Be His Combustible Best
By Cian Tsang November 10, 2025 | 1:15pm
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Bugonia’s Darkly Amusing Ending Undermines its Critique of Internet Conspiracy Culture
By Jim Vorel November 10, 2025 | 11:09am
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25 Years Ago, Spike Lee Played with Fire (and Blackface) in Bamboozled
By Jesse Hassenger November 3, 2025 | 1:30pm
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Color Theory: Shades of the (Un)Natural in Yorgos Lanthimos' The Lobster
By Luke Hicks October 31, 2025 | 2:45pm
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Rarely on a TV: What the UCLA Study Gets Right (And What It Leaves Out) About Gen Z Media Consumption
By Audrey Weisburd October 30, 2025 | 1:15pm
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RIP, White House Movie Theater, 1942-2025
By Jim Vorel October 24, 2025 | 11:47am
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Fight Night: Freddy vs. Jason Delivered on its Title
By Kenneth Lowe October 22, 2025 | 10:57am
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Revenge is never simple—neither is the legacy of Kill Bill
By Caroline Siede October 21, 2025 | 5:54pm
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Sydney Pollack found a New Hollywood comfort zone for Robert Redford
By Jesse Hassenger October 21, 2025 | 5:43pm
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Something Doesn’t Feel Right: Doom the Movie at 20
By Cullen Wade October 21, 2025 | 9:15am
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Terror Trash: Hack-o-Lantern (1988)
By Jim Vorel October 17, 2025 | 1:39pm
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The Halloween Continuity Guide: Which Halloween Movies Are Connected?
By Jim Vorel October 15, 2025 | 8:00am
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Alex Winter’s Freaked Is the Most Handsomely Demented ‘90s FX Showcase You’ve Never Seen
By Jim Vorel October 7, 2025 | 3:14pm
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Letterboxd and Gen Z: The Good, The Bad, The Absurd
By Audrey Weisburd October 3, 2025 | 9:15am
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25 Years Later, Almost Famous Remains Perfectly Uncool
By Jesse Hassenger October 1, 2025 | 11:15am
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Color Theory: The Bright, Cavernous Technicolor of P.T. Anderson’s Punch-Drunk Love
By Luke Hicks September 25, 2025 | 9:50am
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Fight Night: Aliens Made Sigourney Weaver an Action Star
By Kenneth Lowe September 24, 2025 | 1:15pm
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How Gerald Kargl’s Angst Pushed the Boundaries of the Home Invasion Movie
By Cian Tsang September 24, 2025 | 9:15am
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The Many Chosen Families of Paul Thomas Anderson's Filmography
By Audrey Weisburd September 23, 2025 | 2:37pm
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The Last Film Critic: Chicago and the Slow Death of the Professional Movie Review
By Kenneth Lowe September 19, 2025 | 9:36am
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How New-Aged Road Films Make Sense of Modern America
By Audrey Weisburd September 17, 2025 | 11:20am
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Even Closer Encounters of the Third Kind: Seeing a Classic in 70mm
By Audrey Weisburd September 12, 2025 | 9:15am
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How Maggie Gyllenhaal’s The Lost Daughter Captures the Unease of Ferrante’s Novel
By Ana Carpenter September 2, 2025 | 3:41pm
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Children of Men Is a Dismal Dystopia That Hopes for a Better World
By Ana Carpenter August 27, 2025 | 10:23am
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The Thief and the Cobbler: How An Animation Legend’s Legacy Was Ripped Away by Miramax
By Kayleigh Donaldson August 26, 2025 | 9:50am
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Fight Night: Porco Rosso’s Final Dogfight Spanned Land, Sea, and Air
By Kenneth Lowe August 25, 2025 | 10:21am
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Welcome (Back) to Tromaville: Home of America's Hero, The Toxic Avenger
By Sean Fennell August 21, 2025 | 11:42am
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25 Years Ago, The Cell Brought Visual Splendor to the New Line Cinema August Movie
By Jesse Hassenger August 18, 2025 | 10:16am
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Reinventing the Formula of the Failed Marriage Movie
By Ana Carpenter August 16, 2025 | 11:10am
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Genndy Tartakovsky’s 17-Year Odyssey to Get the R-rated Fixed Made
By Tara Bennett August 12, 2025 | 10:54am
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60 Years Ago, The Beatles Tackled James Bond With Help!
By Liam Gaughan August 11, 2025 | 2:04pm
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Wait, Just How Many Movies and Series Named Good Boy Are There?
By Jim Vorel August 11, 2025 | 12:04pm
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Color Theory: Barbarian’s Doorways of Hell
By Luke Hicks August 7, 2025 | 11:00am
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Physical Specimens: New 4K Reviews, Including Barry Lyndon, Shane and Oliver Stone's Alexander
By Garret Martin July 31, 2025 | 12:01pm
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Horror Legend Chuck Russell on Witchboard and His Return to Horror Roots
By Jim Vorel July 29, 2025 | 11:47am
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Fight Night: Jackie Chan Perfected His Action Comedy in Drunken Master 2
By Kenneth Lowe July 28, 2025 | 10:58am
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Should Movie Musicals Aim Smaller?
By Ana Carpenter July 27, 2025 | 11:13am
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Wheelchair Bound, Crassly Human: Murderball at 20
By Craig D. Lindsey July 22, 2025 | 11:01am
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Color Theory: Palettes of Pain and Peace in Midsommar
By Luke Hicks July 18, 2025 | 11:36am
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What's So Hard About Making a Fantastic Four Movie?
By Kenneth Lowe July 17, 2025 | 2:37pm
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Docile, Controllable, Self-Determined: Species at 30
By Andy Crump July 17, 2025 | 10:20am
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As the Original X-Men Turns 25, It Remains a Superhero High
By Jesse Hassenger July 13, 2025 | 11:36am
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50 Years Later, Jaws Is Still the Best Horror Movie -- But for Me, It’s a Love Story
By Blake Turck July 9, 2025 | 9:15am
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Jesus' Son at 25: A Better Drug Addiction Movie from the Year 2000 Than Requiem for a Dream
By Jesse Hassenger July 7, 2025 | 1:30pm
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Spinal Tap: The Band We Need Right Now, Again
By Sean Fennell July 3, 2025 | 10:59am
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In Mountainhead, Jesse Armstrong Asks If We Can Ever Truly Relate to Billionaires
By Ana Carpenter June 29, 2025 | 12:21pm
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War of the Worlds at 20: Steven Spielberg’s Bleak, Reactive Anti-Blockbuster
By Liam Gaughan June 27, 2025 | 9:15am
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This Place, This Person: Friendship in Sorry, Baby
By Anna McKibbin June 26, 2025 | 9:15am
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I Don’t Envy Nia DaCosta’s Task with 28 Years Later: The Bone Temple
By Jim Vorel June 24, 2025 | 3:38pm
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Fight Night: They Live’s Endless Fistfight Is a Slapstick Masterpiece
By Kenneth Lowe June 23, 2025 | 11:02am
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Color Theory: Brokeback Mountain and the Complexion of Longing
By Luke Hicks June 20, 2025 | 2:52pm
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Physical Specimens: New 4k Reviews, Including Connery's Bond, The Wiz, and More
By Garrett Martin June 20, 2025 | 11:30am
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40 Years After The Stuff, Enough Is Still Never Enough
By Jim Vorel June 16, 2025 | 2:19pm
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Veda Baldota Blends Cultures and Characters to Transform the Screen
By Matthew Kayser June 15, 2025 | 9:00am
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As The Hunger Games Expands, It Jeopardizes What Made the Originals Work
By Ana Carpenter June 13, 2025 | 2:54pm
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An Ode to the Lowliest (Deepest?) Horror Subgenre: Shark Movies
By Jim Vorel June 9, 2025 | 11:15am
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Physical Specimens: New 4k Reviews, Including Killer of Sheep, Across 110th Street, and More
By Garrett Martin June 4, 2025 | 9:15am
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Mike Flanagan in 12 Steps: Alcoholism, Recovery and Horror Cinema
By Cullen Wade June 3, 2025 | 1:51pm
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Color Theory: Wes Anderson and the Comforting Warmth of The Royal Tenenbaums
By Luke Hicks June 2, 2025 | 1:37pm
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John Green and the Difficulty of Capturing the Teenage Mindset on Screen
By Ana Carpenter May 29, 2025 | 9:15am
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Fight Night: Rob Roy’s Swordplay Was as Gritty as Its World
By Kenneth Lowe May 26, 2025 | 9:15am
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25 Years Ago, We Glimpsed the Tom Cruise of the Future in Mission: Impossible II
By Jesse Hassenger May 22, 2025 | 9:26am
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Physical Specimens: New Clint Eastwood 4K Reviews, Including Dirty Harry, Josey Wales, and Pale Rider
By Garrett Martin May 18, 2025 | 9:00am
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Maybe Not Every Public Domain Character Needs Their Own Horror Film?
By Jim Vorel May 15, 2025 | 4:07pm
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YouTube May Finally Be Cracking Down on the Blight of Fake Movie Trailers
By Jim Vorel May 12, 2025 | 1:36pm
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Sean Baker: From Prince of Broadway to Anora in Vegas
By Andy Crump May 9, 2025 | 11:38am
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Physical Specimens: New 4K Reviews, Including Anora, Brimstone & Treacle, and More
By Garrett Martin May 2, 2025 | 6:51pm
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Revenge of the Sith At 20: George Lucas’ Magnum Opus Is Remembered For The Wrong Reasons
By Liam Gaughan May 1, 2025 | 9:15am
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The Hitchhiker’s Guide to the Galaxy at 20: Filming the Unfilmable Comedy
By Jim Vorel April 29, 2025 | 3:46pm
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Eli Craig on the Generational Culture Clash of New Slasher Clown in a Cornfield
By Jim Vorel April 28, 2025 | 11:02am
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Pushing Buttons: How Hollywood Addresses—or Doesn’t—Going from Playing to Watching in Videogame Adaptations
By Trace Sauveur April 25, 2025 | 9:53am
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How the Collective Psyche Surrounding Climate Change Has Evolved on Film
By A.J. Weiler April 22, 2025 | 3:01pm
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Physical Specimens: New 4K Reviews, Including Sneakers, Ugetsu, and More
By Garrett Martin April 19, 2025 | 9:38am
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Joe Wright’s Pride & Prejudice Turns 20, and its Swoon Remains Mighty
By Tara Bennett April 19, 2025 | 9:15am
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Fight Night: Raging Bull’s Central Rivalry is a Bloody Triptych
By Kenneth Lowe April 18, 2025 | 11:30am
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Emilie Blichfeldt on Following the Bloody Trail of Cinderella to The Ugly Stepsister
By Jim Vorel April 18, 2025 | 9:15am
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Orson Krennic: Star Wars’ Perfectly Pathetic Villain
By Jim Vorel April 16, 2025 | 11:15am
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25 Years Ago, Keeping the Faith and High Fidelity Tried to Remake the Romantic Comedy for Grown-Ups
By Jesse Hassenger April 14, 2025 | 9:15am
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The Decline of the Young Adult Dystopian Genre in the Midst of Fascism
By A.J. Weiler April 9, 2025 | 11:30am
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Easter Deserves a Classic Horror Movie
By Jim Vorel April 8, 2025 | 11:16am
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Physical Specimens: New 4K Reviews, Including The Long Kiss Goodnight, Thirst, and Don't Torture a Duckling
By Garrett Martin April 5, 2025 | 8:34am
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Tis A Silly Place: Fatherhood and Finding the Holy Grail, 50 Years On
By Sean Fennell April 1, 2025 | 10:14am
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Political Partisanship Has Ruined the Ability to Honestly Evaluate Entertainment
By Jim Vorel March 29, 2025 | 9:15am
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Fight Night: Michelle Yeoh and Cynthia Rothrock Exploded Into Film in Yes, Madam!
By Kenneth Lowe March 25, 2025 | 11:36am
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Villainy and Virtue: The Art of Cinematic Duality and "Double Roles"
By Luke Hicks March 22, 2025 | 9:15am
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Physical Specimens: New 4K Reviews, Including Thief and Cruising
By Garrett Martin March 21, 2025 | 11:00am
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Black America Found Its Own Chopsocky Hero in The Last Dragon and "Bruce Leeroy"
By Craig D. Lindsey March 21, 2025 | 9:15am
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25 Years Later, Final Destination Remains a Paranoid Series Best
By Jesse Hassenger March 17, 2025 | 6:30pm
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Samara Weaving Has Transcended the Modern Scream Queen
By Jim Vorel March 11, 2025 | 11:25am
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Physical Specimens: New 4K Reviews, Including The Wages of Fear and Amadeus
By Garrett Martin March 9, 2025 | 9:15am
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CHUDs, Clovers, Quetzalcoatl: The Movie Monsters of New York City
By Cullen Wade March 3, 2025 | 1:15pm
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2025 Oscars Winners: The Complete List
By Jim Vorel March 2, 2025 | 6:03pm
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The Drug Becomes the Demon: ‘Pieces of Amy’ Spins Addiction as a Supernatural Possession
By Tyler Shepherd, Contributor March 1, 2025 | 4:43pm
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Physical Specimens: New 4K Reviews (Feb. 2025)
By Garrett Martin February 21, 2025 | 12:35pm
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In Into the Night, John Landis Asked Hollywood to Throw Him a Life Preserver
By Craig D. Lindsey February 21, 2025 | 9:15am
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All About Love: Cooper Raiff on Hal & Harper
By Michael Dunaway and Alisha Patterson February 20, 2025 | 3:31pm
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Fight Night: Luke Skywalker vs. Darth Vader in The Empire Strikes Back
By Kenneth Lowe February 20, 2025 | 10:21am
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The Beach at 25: A Youthful Transgression for Leonardo DiCaprio
By Jesse Hassenger February 14, 2025 | 9:15am
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A Different Kind of Zombie Flick: Meera Menon, Kiran Deol and George Basil on Didn't Die
By Michael Dunaway and Alisha Patterson February 11, 2025 | 12:57pm
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The Quick and the Dead: Sam Raimi’s Mythological Western Looms Larger Than Life
By Jim Vorel February 10, 2025 | 9:15am
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David Tennant’s Macbeth Is Shakespeare’s Tragedy at Its Most Haunting and Human
By Lacy Baugher Milas February 1, 2025 | 9:15am
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Naoko Yamada On Her Latest Film The Colors Within and Why She Creates
By Elijah Gonzalez January 30, 2025 | 2:24pm
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Reinventing the Camera With Nickel Boys' RaMell Ross
By Brandon Streussnig January 28, 2025 | 1:00pm
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Down to You Is 25, But This Freddie Prinze/Julia Stiles Romance Is a Dumb Teenager at Heart
By Jesse Hassenger January 23, 2025 | 9:15am
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How Culture and Biology Shape Our Love for Studio Ghibli’s Iconic Food
By A.J. Weiler January 22, 2025 | 9:15am
